一種后先鋒主義
余極 Yu Ji,小芳和小芳的玩偶 Fang and Fang's Doll No.2,Photograph, 2007
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出 品：千高原藝術(shù)空間
藝 術(shù) 家：陳亮杰、陳秋林、何工、蔣鵬、黎朗、劉玉潔、羅發(fā)輝、秦琦、沈小彤、舒群、孫學(xué)敏、肖克剛、余極、朱兵、趙曉佳
展覽時(shí)間：2009年03月28日 --- 2009年05月05日
展覽地點(diǎn)：千高原藝術(shù)空間 四川省成都市芳沁街87號(hào) 郵編：610041
開(kāi)放時(shí)間：星期二至星期日10:30-19:00
電 話：+86-28 8512 6358 / 8515 8238
傳 真：+86-28 8512 6358
郵 箱：info@1000plateaus.org / 1000plateaus.cn@gmail.com
網(wǎng) 址：www.1000plateaus.org
展覽題目來(lái)自展出的藝術(shù)家舒群的作品《同一性語(yǔ)態(tài)：一種后先鋒主義？》，展覽展出了15位中國(guó)當(dāng)代藝術(shù)家在各個(gè)時(shí)期創(chuàng)作的23件作品。選用“一種后先鋒主義”做展覽題目，旨在表達(dá)我們一貫的對(duì)思考、實(shí)驗(yàn)和前衛(wèi)的尊重。
舒群創(chuàng)作于1993年的作品《同一性語(yǔ)態(tài)：一種后先鋒主義？》延續(xù)了他在“八五”時(shí)期的理性繪畫宣言；秦琦（《楊杰No.4》）因作品獨(dú)特的思考特質(zhì)和直接表達(dá)的繪畫性而成為當(dāng)今倍受注目的年輕藝術(shù)家；沈小彤1993年的“紅色系列”作品（《一張臉No.1、2》）到1999年作品（《誘惑1999 No.3》）中傳達(dá)的公共話題到個(gè)體表達(dá)的變化；游走于東西方文化之間的何工（《場(chǎng)合》）以知識(shí)分子的冷靜激情展開(kāi)對(duì)集體意志的個(gè)人表達(dá)；羅發(fā)輝（《一男一女》）在情色和欲望后面對(duì)傷害的迷戀；朱兵的作品（《夢(mèng)園》）中我們看到高速發(fā)展變化的中國(guó)藝術(shù)家對(duì)精神家園的懷念。。。。。。在架上繪畫以外，陳秋林2002年的作品（《。。。。。。No.3》）把女性對(duì)傷害的敏感置于高速發(fā)展的城市背景之中，由此開(kāi)始藝術(shù)家的私人記憶與社會(huì)、環(huán)境、人民、城市之間的相互介入；黎朗（《彝人》）以紀(jì)實(shí)的手法、悲憫的情懷，通過(guò)相機(jī)對(duì)西南邊陲封閉地區(qū)的彝人與土地進(jìn)行長(zhǎng)期冷靜的觀察，表現(xiàn)出那片土地上的和諧、尊嚴(yán)和神性。
A Certain Kind of Post-modernism
Director： A Thousand Plateaus Art Space
Artists： Chen Liangjie, Chen Qiulin, He Gong, Jiang Peng, Li Lang, Liu Yujie, Luo Fahui, Qin Qi, Shen Xiaotong, Shu Qun, Sun Xuemin, Xiao Kegang, Yu Ji, Zhu Bing, Zhao Xiaojia
Exhibition Time: March 28th-May 5th, 2009
Venue: A Thousand Plateaus Art Space, 87 Fang Qinjie, Chengdu
Opening Hours: Tuesdays to Sundays 10:30 to 19:00
Phone： +86-28 8512 6358 8515 8238
Fax： +86-28 8512 6358
Email： info@1000plateaus.org / 1000plateaus.cn@gmail.com
Web： www.1000plateaus.org
The title of this exhibition is derived from Shu Qun’s painting: Identity Voices: A Certain Kind of Post-modernism?. The exhibition brings twenty-three works of fifteen artists from different periods in the history of Chinese contemporary art. The choice for A Certain Kind of Post-modernism as the exhibition topic reflects our continuous preoccupation with experimental and avant-garde art creations.
The work by Shu Qun Identity Voices: A Certain Kind of Post-modernism? painted in 1993 is a continuation of the painter’s reflection on ‘Rational Painting’ in the ’85 period. Qin Qi is a young artist whose independent reflection and direct painting technique visible in the work Yang Jie No.4 make him one of the leading artists in today’s China. The time span from Face No.1/2 of the Red Series of Shen Xiaotong painted in 1993 to Temptation No.3 in 1999 reflects a change from the expression of a public subject matter to the rendering of individual emotions. Traveling frequently between Western and Eastern Culture, the artist He Gong in The Occasion reveals a collective consciousness through a distant but at the same time passionate brush stroke. Luo Fahui expresses his infatuation with pain and distress behind layers of lust and desire. In Dream Garden by Zhu Bing we can see the nostalgic longing of the artist trying to find a spiritual haven in a highly urbanized environment.
In Ellisis (2002), Chen Quilin places the sweet suffering of young people against the background of high-speed urbanization. Her later works continue the exploration of her personal memories in relation to social, environmental and urban problems. Through his photographic lens, Li Lang observes the Yi minority in south western China. His approach is detached yet full of compassion and gives expression to the harmony, dignity and divinity of the Yi people for their earth.
【編輯：賈嫻靜】
