圖為Kimura Yoshiro2009年作品Hekiyu Renmonki，帶鈷半釉彩，16,6 x 37,8 x 48,8 cm
巴塞爾邁阿密設(shè)計(jì)博覽會(huì)將于6月8日至13日舉行，而這是布魯塞爾畫廊主Pierre-Marie Giraud第二次參展。這一次，他帶來(lái)了60多件當(dāng)代瓷器，這些瓷器探索著當(dāng)代瓷藝與雕塑的關(guān)系。
“收藏家的眼光日趨多樣化，對(duì)混合風(fēng)格的偏好也已回歸。所以讓我們把偏見放在一邊，跟上時(shí)代的步伐吧！”Pierre-Marie Giraud這樣說(shuō)道，并將付諸行動(dòng)。他將在畢加索瓷器的對(duì)面放上日本藝術(shù)家的獨(dú)特作品，Akiyama Yo和Kimura Yoshiro是其中的兩位。
Kimura Yoshiro出生于1947年。不像他的同代人那樣局限于土地，Kimura Yoshiro夢(mèng)想成為賤僧。而最終他成為了一位全日本著名的陶瓷藝術(shù)家。沉醉于愛(ài)琴海的藍(lán)色，他通過(guò)創(chuàng)作表面光滑，曲線，空氣流線造型的瓷器來(lái)表達(dá)自己的心醉神迷。他的作品既有安慰性又有精神性，搭建起水與空氣的連接橋梁。他的作品在紐約的展覽上獲得成功，部分作品列入東京國(guó)家博物館目錄。
通過(guò)一個(gè)龐大的鏡子裝置，這些日本藝術(shù)家的作品與畢加索的作品得以對(duì)話。而在所有的這些藝術(shù)家中，很多人都是跟隨畢加索的夸張風(fēng)格，他們?cè)O(shè)計(jì)的瓷器都跳出了慣常模式。
邁阿密藝術(shù)博覽會(huì)上，Pierre-Marie Giraud也將為我們呈現(xiàn)另外一些藝術(shù)家的獨(dú)特作品，他們是：Martine Bedin, Mattia Bonetti, Rose Cabat, Fukumoto Fuku, Jean Girel, Valérie Hermans, Hyeyong Kim, Louiselio, Tony Marsh, Massimo Micheluzzi, Ron Nagle, Barbara Nannin, Mishima Ritsue, Kimura Yoshiro, Kaneshige Yuho, 以及Miyashita Zenji.
（來(lái)源：Artdaily網(wǎng)站，點(diǎn)擊參看原文）
【編輯：Julia】
Pierre-Marie Giraud will Present Some Sixty Original Contemporary Ceramic Pieces in Base
BASEL.- For his second participation in Design Miami/Basel, scheduled to run from June 8 to 13, 2009, Brussels gallery owner Pierre-Marie Giraud will present some sixty original contemporary ceramic pieces that study the relationship between contemporary ceramics and sculpture.
“The collector’s eye has diversified; a taste for mixture has returned. So let’s use it to put our prejudices aside and open up to the world!” Such are the words of Pierre-Marie Giraud who, for his participation in Design Miami/Basel, will be placing works by Picasso opposite unique pieces by Japanese artists, among them Akiyama Yo and Kimura Yoshiro.
Less earthbound than his contemporary, Kimura Yoshiro (born in 1947) dreamed of becoming a Zen monk. He ultimately became one of the most remarkable Japanese ceramicists. Enamored with the blue of the Aegean sea , he interprets its hypnotic intensity through smooth ceramics with curvy, aerial shapes. His works, both soothing and spiritual, form a kind of hyphen between water and air. His pieces, some of which are in the Tokyo National Museum catalog, achieved marked success at New York exhibits and in the Brussels-based gallery of Pierre-Marie Giraud, who will be showcasing his work until June 13, 2009.
In a sublime mirror trick, the works of these Japanese artists will converse with a series of ceramics by Picasso, never before shown in a gallery, echoing those exhibited in the museums of Malaga , Spain , and at the Metropolitan Museum in New York . Numerous are the contemporary ceramicists who follow the great Spanish master’s extravagance and are now designing ceramics outside the customary norm. And so it is for Kristin McKirdy (born in Canada in 1958), whose works illustrate the sculptural dimension of ceramics.
For his participation in Design Miami/Basel, Pierre-Marie Giraud will also be presenting unique pieces by Martine Bedin, Mattia Bonetti, Rose Cabat, Fukumoto Fuku, Jean Girel, Valérie Hermans, Hyeyong Kim, Louiselio, Tony Marsh, Massimo Micheluzzi, Ron Nagle, Barbara Nannin, Mishima Ritsue, Kimura Yoshiro, Kaneshige Yuho, and Miyashita Zenji.
（來(lái)源：Artdaily網(wǎng)站，點(diǎn)擊參看譯文）
【編輯：Julia】
