繆鵬飛藝術(shù)評(píng)論選摘
當(dāng)東方的藝術(shù)精神與西方的抽象表現(xiàn)主義藝術(shù)融合一體時(shí), 混沌的視覺經(jīng)驗(yàn)被重新組織起來。東西方文化不斷走向融合及相互呼應(yīng), 繪畫藝術(shù)也發(fā)生了始料不及的創(chuàng)新變革──歷史的聯(lián)系、 東西文化橫向的比較, 觸動(dòng)著當(dāng)代藝術(shù)家的創(chuàng)作心靈。
藝術(shù)家繆鵬飛先生及袁之欽女士既接受中華文化的熏陶, 同時(shí)亦深受西方藝術(shù)觀念的影響。 他們以獨(dú)特的面貌, 把東方傳統(tǒng)藝術(shù)與西方繪畫的表現(xiàn)手法融為一體, 拓展了現(xiàn)代繪畫的新視野。
- 他的學(xué)畫之道, 正和常人相反, 是以筆墨淋漓的大寫意為為始, 而后逐漸泛濫諸家, 臨摹寫生, 進(jìn)而為山水大作的。 從心情來說, 他特別接近八大, 認(rèn)為山人以明凈、 出世之美, 可謂一塵不染, 是傳統(tǒng)繪畫中最富抽象意味的。
── 姜德博 (畫家、 理論家)
- 繆鵬飛的作品體現(xiàn)出感情上和形式上的成熟, 這與他本人的文化背景有關(guān), 使他成為澳門現(xiàn)代畫的柱石之一。
── 江連浩(前賈梅士博物院院長(zhǎng))
- 令澳門驕傲的是, 這位藝術(shù)家逆潮流而行, 完全獨(dú)立地堅(jiān)持強(qiáng)調(diào)論理可以融入美學(xué)之中。
── 安東尼.阿達(dá)拉得 (葡萄牙藝術(shù)家、評(píng)論家)
-他在試驗(yàn)新形式的時(shí)候往往對(duì)歷史內(nèi)容作抽象的藝術(shù)處理, 直接對(duì)歷史和傳統(tǒng)進(jìn)行嚴(yán)肅的對(duì)話。
── 曾長(zhǎng)生 (臺(tái)灣師范大學(xué)教授)
-繆鵬飛才華橫溢，天資聰慧，他在不斷的創(chuàng)作中淬煉技藝，積累學(xué)識(shí)，深入探索，不斷體驗(yàn)。
── 馬若龍 (建筑師, 澳門文化體‧現(xiàn)代畫會(huì)主席)
The confused visual experience has been reorganized, when the oriental art spirit encountered the abstract expressionism and finally unified. In 20th century, the Oriental and Occidental Cultures progress constantly forward to way of combination also correspondence, as the result, the unexpected creation and revolution is found in art form of painting. The soul of creation of the modern artists has been touched by the historical connection, as well as the horizontal comparisons between these two cultures.
Mr. Mio Peng Fei and Mrs Un Chi Iam they were not only cultivated by Chinese culture, at the same time, they were influenced profoundly by Western art concepts. Therefore, in their works we can discover their uniqueness which isthe development of new vision in modern painting ── the combination of traditional oriental art and western painting technique.
His approach to painting, contrary to common practice, springs from free spontaneous impulses, then he would imitate and absorb gists from a wide range of sources and finally produce landscape masterpieces. Emotionally, Mio felt closer to the prominent painter of the Ching Dynasty, Ba Da Shan Ren, Whom he regarded as a spotlessly clean figure with a crystal ethereal personality.
–Jian De Fu (Painter, Theorist)
“Mio’s works indicate a high level of maturity in sense and form, which has made him one of the mainstays of Macau’s modern art. Of course, this is intricately linked with his cultural background.
–Antonio Conceicao (Director of former Camoes Museum)
Our community may well take pride in having an artist who dares to go against the trends by carrying out his belief that ideas can be put into aesthetic practice, which is very unique in the visual arts.
– Antonio Andrade (Artist and critic in Portugal)
In his experiment with new styles, he often treated historical themes with abstract artistic means. He converses directly and seriously with history and tradtion.
Pedro Tseng (Professor at the National Taiwan Normal University)
He overflows of talent and to his intelligence organizes the creativity, to technical and the cultural support of many years of study, of research, and of experiences.
- Carlos Marreiros (Architect, President of CAC)
繆鵬飛簡(jiǎn)歷
一九三六 出生于中國(guó)上海
一九八二 移居澳門
學(xué) 歷
畢業(yè)于福建師范學(xué)院美術(shù)系
學(xué)術(shù)/ 專業(yè)活動(dòng)
自一九九二 上海大學(xué)美術(shù)學(xué)院客席教授
自一九九三 澳門理工學(xué)院教授
自一九九四 北京東方文化藝術(shù)學(xué)院客席教授、南京藝術(shù)學(xué)院客席教授
自一九九五 上海市工藝美術(shù)學(xué)校客席教授
二零零零 英國(guó)胡佛漢頓大學(xué)藝術(shù)學(xué)院任研究生作品評(píng)審，并發(fā)表演講
獎(jiǎng) 項(xiàng)
一九八五 “全澳書畫聯(lián)展”構(gòu)圖褒獎(jiǎng)
一九八六 “第七屆秋之沙龍展”，葡萄牙愛都藝術(shù)畫廊，澳門旅游獎(jiǎng)
一九九三 “第一屆全澳藝術(shù)家雙年展”，西畫銀獎(jiǎng)
個(gè)人展覽
一九八八 澳門市政廳畫廊
一九九二 澳門東方基金會(huì)畫廊
一九九三 澳門房子畫廊 香港何氏畫廊
一九九六 “水滸系列－－繆鵬飛藝術(shù)展”，澳門旅游活動(dòng)中心展覽廳
一九九九 “繆鵬飛作品展”，上海美術(shù)館
二零零零 “繆鵬飛作品展”，葡萄牙瑪雅巿巿政廳畫廊
二零零三 “繆鵬飛近作展”，上海美術(shù)館
二零零四 “生存狀態(tài)──繆鵬飛藝術(shù)作品展”，澳門藝術(shù)博物館
雙人展覽
一九八五 澳門賈梅士博物院畫廊 （與袁之欽合作）
一九八六 葡萄牙里斯本納桑尼畫廊 （與馬若龍合作）
一九八七 葡萄牙波爾圖拉維斯展覽館 （與馬若龍合作）
一九八九 澳大利亞墨爾本東西藝術(shù)畫廊 （與袁之欽合作）
一九九一 比利時(shí)布魯塞爾市政廳畫廊 （與馬若龍合作）
一九九二 葡萄牙阿爾曼達(dá)．尼格里奧斯畫廊
葡萄牙波爾圖拉維斯展覽館
中國(guó)上海美術(shù)館
中國(guó)北京革命博物館
（均與馬若龍合作）
聯(lián) 展
一九八九 “澳門當(dāng)代藝術(shù)家展”，新加坡國(guó)家博物館
“第二屆亞洲聯(lián)邦藝術(shù)協(xié)會(huì)展”，馬來西亞國(guó)家博物館
“澳門現(xiàn)代藝術(shù)九人展”，香港三聯(lián)書店畫廊
一九九零 “澳門現(xiàn)代藝術(shù)家巡回展”
葡萄牙高秉根現(xiàn)代藝術(shù)中心、葡萄牙波爾圖拉維斯展覽館、印度新德里、印度孟買、臺(tái)灣臺(tái)中市立藝術(shù)館
“澳門文化之友現(xiàn)代畫展”，澳門市政廳畫廊
一九九一 “第五屆亞洲藝術(shù)家國(guó)際聯(lián)盟協(xié)會(huì)展”，馬來西亞國(guó)家藝術(shù)館
“第五屆亞洲藝術(shù)家國(guó)際聯(lián)盟協(xié)會(huì)展”，日本
“現(xiàn)代畫展”，香港中華文化促進(jìn)中心
一九九二 “第一屆國(guó)際繪畫博覽會(huì)”，香港
“第七屆亞洲藝術(shù)家國(guó)際聯(lián)盟協(xié)會(huì)展”，南韓
一九九三 “第八屆亞洲藝術(shù)家國(guó)際聯(lián)盟協(xié)會(huì)展”，日本
“第二屆國(guó)際繪畫博覽會(huì)”，香港
“第一屆澳門藝術(shù)家雙年展”
一九九四 “第九屆亞洲藝術(shù)家國(guó)際聯(lián)盟協(xié)會(huì)展”，臺(tái)灣“國(guó)立歷史博物館”
一九九五 “第二屆澳門藝術(shù)家雙年展”
“第十屆亞洲藝術(shù)家國(guó)際聯(lián)盟協(xié)會(huì)展”，新加坡國(guó)家博物館
一九九六 “第十一屆亞洲藝術(shù)家國(guó)際聯(lián)盟協(xié)會(huì)展”，菲律賓,葡萄牙巡回展
卡明哈、塞維納新城、里斯本
澳門陸軍俱樂部，中西文化藝術(shù)研究中心
一九九七 “第三屆澳門藝術(shù)雙年展”，澳門
“中國(guó)藝術(shù)大展．當(dāng)代油畫展”，上海劉海粟美術(shù)館
“第十二屆亞細(xì)亞國(guó)際美術(shù)展”，澳門旅游活動(dòng)中心展覽廳
一九九八 “上海美術(shù)雙年展”，上海美術(shù)館
一九九九 “第四屆澳門藝術(shù)雙年展”，澳門藝術(shù)博物館
二零零零 “新中國(guó)畫大展”，上海劉海粟美術(shù)館
“二十世紀(jì)中國(guó)油畫展”，北京中國(guó)美術(shù)館
二零零三 “上海春季沙龍”，上海光大會(huì)展中心
“畫心路──七位當(dāng)代藝術(shù)家展”，民政總署畫廊
“第三屆中國(guó)油畫展”，北京中國(guó)美術(shù)館
論 文
《立體主義與畢加索》
《應(yīng)用藝術(shù)之審美》
《時(shí)代與建筑》
《澳門現(xiàn)代藝術(shù)》
《新東方主義》
出版物
入選《中國(guó)油畫全集》、《上海美術(shù)館藏品選集》、《二十世紀(jì)中國(guó)油畫展作品集》、《精英藝術(shù)家百人集》、《新中國(guó)畫大展作品集》、《中華熱土》、《世界華人書畫作品精選》、《江蘇畫刊》、《美術(shù)》、《藝術(shù)家》（臺(tái)灣）、《美術(shù)界》、《美術(shù)觀察》、《RC文化雜志》、《美苑》、《榮寶齋》、《藝術(shù)當(dāng)代》、《藝術(shù)潮流》、《Asian Art News》等中外刊物
紀(jì)錄片
一九九四 《繆鵬飛和他的新東方主義》，福建電視臺(tái)制作
Mio Peng Fei
Biographical Notes
Born in Shanghai, China in 1936 Lives in Macao since 1982
Academic qualifications
Completes higher studies in Painting at the Fujian Provincial Institute (Faculty of Fine Arts).
Academic/Professional activities
From 1992 Professor (Guest) in the Shanghai College of Arts.
From 1993 Professor in the Macao Polytechnic Institute.
From 1994 Professor (Guest) in the Oriental Culture Art School at Beijing.
Professor (Guest) in the Nanjing Art School
From 1995 Professor (Guest) in the Shanghai Art Crafts School.
2000 Judge for postgraduates¡¦ work at the Art Institute of Wolverhampton University, UK and lectured.
Prizes
1985 Wins a Special Mention for composition in the exhibition of Macao Artists.
1986 Wins the Macao Tourism Prize in the 7th Autumn exhibition in the Estoril Casino Art Gallery, Portugal.
1993 Silver Prize at the 1st Biennial of Macao Artists.
1997 Golden Prize at the 3rd Biennial of Macao Artists.
1999 Silver Prize at the 4th Biennial of Macao Artists.
Solo exhibitions
1988 Leal Senado Art Gallery, Macao
1992 Orient Foundation Gallery, Macao
1993 Macao Room Gallery, Macao
Ho Gallery, Hong Kong
1996 All Men Are Brothers¡V Artworks of Mio Pang Fei¡¨ Tourism Activities Centre Macao
1999 Exhibition of the Works of Mio Pang Fei (Shanghai Art Museum)
2000 Exhibition of Works by Mio Pang Fei (Gallery of the City Hall of Maia, Portugal)
2003 Exhibition of Recent Works by Mio Pang Fei (Shanghai Art Museum)
2004 On Human Condition V Artworks by Mio Pang Fei¡¨ and a published accompanying album of paintings.
Joint exhibitions
1985 Luís de Camões Museum, Macao
1986 Nasoni Gallery, Lisbon, Portugal
1987 Exhibition in Oporto, Portugal
1989 East and West Art Gallery, Melbourne, Australia
1991 Brussels City Art Gallery, Belgium
1992 Almada Negreiros Gallery, Lisbon, Portugal,
Exhibition in Oporto, Portugal
Exhibition in Shanghai
Exhibition in Beijing
Group exhibitions
1989 Macao contemporary Artists¡¨ exhibition in the National Museum of Singapore.
2nd Federation of Asian Art Associations¡¨ exhibition in Kuala Lumpur, Malaysia.
9 Artists¨ exhibition in the Hong Kong Sam Lin Gallery.
1990 Traveling exhibition of Modern Artists of Macao:Calouste Gulbenkian Foundation Center of Modern Art in Lisbon, Portugal
Oporto (Portugal),Bombay(India),New Delhi (India),Exhibition in Taiwan.Macao Friends of Culture modern painting section¡¦s exhibition in the Gallery of Leal Senado in Macao.
1991 5th Federation of International Associations of Asian Artists¡¨ exhibition in the National Gallery in Kuala Lumpur, Malaysia.
5th Federation of Asian Art Associations¡¨ exhibition in Japan.
Exhibition of Modern Painting in the Chinese Cultural Center in Hong Kong.
1992 1st International Art Expo in Hong Kong.
7th Federation of Asian Art Associations¡¨ exhibition in South Korea.
1993 8th Federation of Asian Art Associations¡¨ exhibition in Japan.
2nd International Art Expo in Hong Kong.
1st Biennial of Macao Artists.
1994 9th Federation of Asian Art Associations¡¨ exhibition in Taiwan (Museum of National History).
1995 2nd Biennial of Macao Artists.
10th Federation of Asian Art Associations¡¨ exhibition in Singapore (National Museum).
1996 11th Federation of Asian Art Associations¡¨ exhibition in Philippines.
Traveling exhibition in Portugal (Centre of Studies in Eastern and Western Art and culture):Caminha, Vila Nova de Cerveira, Lisbon
Exhibition in the Military Club (Center of Studies in Eastern and Western Art and Culture).
1997 3rd Macao Biennial Invited to participate in the Exhibition of Chinese Art XModern Oil Paintings (Liu Hai Su Art Museum, Shanghai)
12th Asia International Fine Arts Exhibition (Macao Tourism Activities Centre, Exhibition Room)
1998 Invited to participate in the Shanghai Biennale (Shanghai Art Museum)
1999 4th Macao Biennial, (Macao Museum of Art)
2000 Invited to participate in the Exhibition of New Chinese Paintings (Liu Hai Su Art Museum, Shanghai)
Exhibition of 20th Century Chinese Oil Painting (China National Museum of Fine Arts, Beijing)
2003 Shanghai Spring Art Salon (Shanghai Everbright Convention and Exhibition Centre)
Painting Thought¡XSeven Contemporary Artists (Gallery of the Civic and Municipal Affairs Bureau, Macao.)
3rd China Oil Painting Exhibition (China National Museum of Fine Arts, Beijing)
Thesis
Cubism and Picasso
The Aesthetics of Applied Art
Time and Architecture
Contemporary Art of Macao
New Orientalism
Published works
Chinese Oil Paintings, Album; Selections of the Shanghai Art Museum Collection; 20th Century Chinese Oil Painting, Album; 100 Elite Artists, Album; New Chinese Paintings, Album; Chinese Hot Earth, Selection of International Chinese Paintings and Calligraphy, Album; Jiangsu Painting, Album; Fine Arts; Artists of Taiwan; Fine Arts Circle; Fine Arts Observation; R.C. Cultural Magazine; Art Garden; Rongbao Art Gallery; Contemporary Art; Art Trend; and, Asian Art News.
Included in the publications Collection of Chinese Oil Paintings, and Collection of Exhibits from the Shanghai Fine Arts Museum.
Documentaries
1994 Documentary, ¡§Mio Pang Fei and his New Orientalism¡¨ made by Fujian Television.
【編輯：賈嫻靜】
