未妨惆悵 文\王中文
藝術作品是個人的精神感召與形式上的訴求。而索然匱乏的生活，缺失景觀的窺視，我們從中發(fā)現了什么？自由精神、生存環(huán)境的視覺多樣化需要一個漫長的過程。近乎幻滅的情況下，只言片語附會著某些具體人事，這種獨白方式在破碎的社會中也許還能折射出生動的碎片，明滅中閃爍著智性。游離的沉默恰是時代賦予我們的態(tài)度，沒有在務實里放大自我，沒有被令人陶醉的成功吞噬，置身于邊緣，無需得到驗證，這種自若的直覺是個人的、內心的、偶發(fā)的。作品與相應的闡釋是無關重要的，這一切不過是生命過程中關注過的一個片段。在精神休克下，這一刻無效的惆悵，才是現實中需要藝術對應的本來的面目吧！
Reject the melancholy
The art works are the spiritual calling and the demands pro forma of the people. But the life of scarcity, the peer without scene, what have we found from them? The spirit of freedom and the diversification of the survival environment call for a long procedure. Under the condition of nearly disillusion, we can only contrive some concrete people and matters. Such monologue may reflect the vivid splinters in the shattering society, the wisdom is glowing in the disillusion. The dissociative quiet is the attitude presented to us by the times, the ego is not exaggerated in the practical deals, and it is not swelled or peripherized by the ravishing success. Such coolly direct feeling is personal, innermost and adventives. All of these are no more the section being taken care in the life. Under the spiritual shock, such ineffective melancholy might be the true colors the art need to face.
Wang Zhongwen
【編輯：霍春?！?/p>
