吳嘯海是一個摒棄傳統(tǒng)和知識的冒險(xiǎn)家，他的作品總能讓人們瞥見神圣的光暈，本次展覽不僅僅是一次視覺的洗禮，在藝術(shù)家構(gòu)建的感性經(jīng)驗(yàn)和身臨其境的繪畫中，如在空曠的劇場之中的演繹，始終回旋著一種既原始又充滿神性的聲音，帶領(lǐng)我們進(jìn)入藝術(shù)家潛意識的途徑。本次展覽以“神話”入題，瓦格納認(rèn)為，神話不僅僅是故事，而是一個民族最深刻的價(jià)值觀、恐懼和抱負(fù)的體現(xiàn)，它們提供了一種超越個別文化和歷史時(shí)期限制的通用語言。在這種語境下，吳嘯海的藝術(shù)成為神話的容器，他多元且紛繁的藝術(shù)世界成為了向我們傳達(dá)深刻真理和喚起集體記憶的手段，是看似矛盾的兩個對立面最終殊途同歸，萬物歸一。

Wu Xiaohai is an adventurer who eschews tradition and knowledge, his works consistently offering glimpses of divine auras. This exhibition is not merely a visual baptism, rather, it is a journey through the artist's sensuous experiences and immersive paintings, akin to a performance within an expanse of an empty theater, where an echoing, primal, and divine voice lingers, guiding us into the pathways of the artist's subconscious. With "Mythology" as its theme, the exhibition draws upon Wagner's perspective that myths are not merely stories but rather embodiments of a nation's most profound values, fears, and aspirations, providing a universal language that transcends individual cultures and historical epochs.

In this context, Wu Xiaohai's art becomes a vessel for mythology, his diverse and intricate artistic world serving as a means to convey profound truths and evoke collective memories. It is a harmonious convergence of two seemingly contradictory opposites, ultimately leading to a unified whole where all things find their place.

吳嘯海，Part，布面油畫，200x300cm，2024

吳嘯海，達(dá)達(dá)·達(dá)芬奇和達(dá)爾文，布面油畫，160x210cm，2021-2024

吳嘯海，韓愈抹月亮，布面油畫，120x80cm，2024

吳嘯海，奇遇，布面油畫，210x271cm，2021

吳嘯海，天山，布面油畫，140x180cm，2021-2024

藝術(shù)家簡介

吳嘯海

1972年生于湖南

1988年創(chuàng)辦“88文學(xué)社”?

1989年“88文學(xué)社”封停,輟學(xué)學(xué)習(xí)繪畫

1997年畢業(yè)于中央美術(shù)學(xué)院壁畫系

2008年被 BEAUX ART 評選為“2008年度全球十位最具潛力的藝術(shù)家”。

2011-2012年訪學(xué)于英國倫敦藝術(shù)大學(xué)Camberwell美術(shù)學(xué)院。

現(xiàn)工作、生活于北京

作品被收藏于中央美術(shù)學(xué)院美術(shù)館、 FRAC Pays de la Loire、法國政府等機(jī)構(gòu)。

個展

感性顯現(xiàn)：吳嘯海個展，壹峰藝術(shù)中心，鄭州，2024

吳嘯海：自然意識，愛馬思藝術(shù)中心，北京，2023

不完全是·吳嘯海作品展，槐軒，北京，2023

傳說，非凡仕藝術(shù)中心，北京，2021

無山－吳嘯海作品展，“湖上”雜志空間，杭州，2019

上天與你我－馬原和吳嘯海作品展，九路馬書院，云南，2019

舊物異誌，香港北工22藝術(shù)空間，香港，2018

命，PatriciaDorfmann畫廓，巴黎/法國，2017

在彌散中消逝吳嘯海作品展，柏林STARKE基金會美術(shù)館，柏林/德國，2016

舊事就辦，雙十畫廊，巴黎/法國，2016

世界的下面， BFI 英國電影協(xié)會，倫敦/蘇格蘭電影協(xié)會，格拉斯哥，2015

春之祭－YOlé!，夏悠宮國立劇院，巴黎/法國，2015

斯特拉文斯基經(jīng)典舞劇《春之祭》 編導(dǎo)，巴黎夏悠宮，巴黎/法國，2015

"GENERATION", PymsGallery, 倫敦/英國，2012

室內(nèi)運(yùn)動，F(xiàn)rameless Gallery，倫敦/英國，2012

是真的嗎，中間美術(shù)館，北京，2011

"I REMEMBER TO-MORROW", PatriciaDorfmann畫廊，巴黎/法國，2010

失落的光，PatriciaDorfmann畫廊，巴黎/法國，2008

吳嘯海作品展，中央美術(shù)學(xué)院美術(shù)館，北京，2007

部分群展

繪畫的提問——一個世界性的課題，中央美術(shù)學(xué)院美術(shù)館，北京，2024

時(shí)間引力——2023成都雙年展，成都市美術(shù)館，成都，2023

城市形態(tài)——2022武漢雙年展，武漢美術(shù)館，武漢，2022

絲綢之路：從傳統(tǒng)到當(dāng)代——中保建交70周年，保加利亞國家美術(shù)館，索非亞/保加利亞，2019

傳統(tǒng)是一種發(fā)明，英國王儲基金會傳統(tǒng)藝術(shù)學(xué)院，倫敦/英國，2018

文明的回響——匠作之美，馬德里/西班牙，2018

歷史的溫度：中央美術(shù)學(xué)院與中國具象油畫，中央美術(shù)學(xué)院美術(shù)館，北京，2016

開關(guān)，西安當(dāng)代美術(shù)館，西安?，2014

“O’ clock”，中央美術(shù)學(xué)院美術(shù)館，北京，2013

Drawing now，巴黎大皇宮，巴黎/法國，2012

紙非紙-中日藝術(shù)家交流展，中央美術(shù)學(xué)院美術(shù)館，北京，2011

CIGE“亞洲10位青年藝術(shù)家項(xiàng)目”，中國國家貿(mào)易大廈，北京，2010

Wu Xiaohai

Born in Hunan in 1972

Founded the "88 Literature Club" in 1988.?

In 1989, "88 Literature Club" was closed down, he dropped out of school to study painting.

Graduated from the Mural Painting Department of the Central Academy of Fine Arts in 1997.

In 2008, he was selected by BEAUX ART as one of the ten most promising artists in the world in 2008.

In 2011-2012, he studied at Camberwell College of Art, University of the Arts London.

Now lives and works in Beijing

His works are collected by the Art Museum of the Central Academy of Fine Arts, FRAC Pays de la Loire, the French government and other organizations.

Solo Exhibition

Perceptual Manifestation, YiFeng Art Center, Zhengzhou, 2024

Wu Xiaohai: INTRANQUIL NATURE , IOMA, Beijing, 2023

The Blind Leading The Blind, HUAIXUAN, Beijing, 2023

Is It True, FEEFAN’S ART, Beijing, 2021

Mountain Views: a fleeting perspective, Hushang Magazine, Hangzhou, 2019

God and you and me: Mayuan and Wu Xiaohai, Jiuluma Book Museum, Yunnan, 2019

Hybrid Objects: Wu Xiaohai, HK North Point Art Space, HongKong, 2018

Destin, Gallery PatriciaDorfman, Paris/France, 2017

Dispersive Boundary, Stiftung Starke Foundation, Berlin/Germany, 2016

Finish what was left unfinished, Galerie Double S, Paris/France, 2016

The World Below, BFI, London/Scottish Film Institute, Glasgow, 2015

The Rite of Spring - YOlé!, Théâtre National de Chaillot, Paris/France, 2015

Stravinsky's classic dance drama "The Rite of Spring", choreographer and director, Palais de Chaillot, Paris/France, 2015

"GENERATION", PymsGallery, London/UK, 2012

Indoor Movement, Frameless Gallery, London/UK, 2012

Is it true? In-between Art Museum, Beijing, 2011

"I REMEMBER TO-MORROW", Patricia Dorfmann Gallery, Paris/France, 2010

Lost Light, Patricia Dorfmann Gallery, Paris/France, 2008

Wu Xiaohai’s Works Exhibition, Central Academy of Fine Arts Museum, Beijing, 2007

Partial group exhibition

QUESTIONINGS ON PAINTING-A WORLD TASK, Central Academy of Fine Arts Art Museum, Beijing, 2024

TIME GRAVITY-Chengdu Biennale 2023, ChengDu Art Museum, Chengdu, 2023

Urban Morphology-Wuhan Biennale 2022, Wuhan Art Museum, Wuhan, 2022

Exhibition on the Occasion of the 70^th Anniversary of the Establishment of Sino-Bulgarian Diplomatic Relations, Bulgarian National Gallery, Sofia/Bulgaria, 2019

CAFA CentennialExhibition-Tradition is the Power of Invention, PFSTA, London/UK, 2018

Echoes of Civilization - The Beauty of Craftsmanship, Madrid/Spain, 2018

The Temperature of History: CAFA and Chinese Representational Oil Paintings,  Central Academy of Fine Arts Art Museum, Beijing, 2016

Switch, Xi'an Contemporary Art Museum, Xi'an, 2014

“O’ clock”, Central Academy of Fine Arts Museum, Beijing, 2013

Drawing now, Grand Palais, Paris/France, 2012

Paper Not Paper - Exchange Exhibition of Chinese and Japanese Artists, Central Academy of Fine Arts Art Museum, Beijing, 2011

CIGE "Asia's 10 Young Artists Project", China National Trade Building, Beijing, 2010

策展人簡介

朱彤

當(dāng)代藝術(shù)策展人，曾策劃過包括《未來考古學(xué)—第二屆中國藝術(shù)三年展》（南京博物院）、《書寫—首屆南京國際雙年展》（江蘇省美術(shù)館）、《朦朧—第54屆威尼斯藝術(shù)雙年展特別展》（意大利威尼斯）、《目光所及-后金融危機(jī)時(shí)代的中國新繪畫》（保利博物館，法國泰勒基金會，日本福岡亞洲美術(shù)館等）、《美麗新世界—南京第二屆國際美展》《無界-來自中國的當(dāng)代藝術(shù)》（意大利曼特尼亞美術(shù)館）等多個國內(nèi)外重要展覽項(xiàng)目。曾出版《演變》《超越的維度》《幻想》等多部學(xué)術(shù)專著。

Zhu Tong

Curator of contemporary art. He has curated projects including "Future Archaeology - The Second Triennial of Chinese Art" (Nanjing Museum), "Writing - The First Nanjing International Biennale" (Jiangsu Art Museum), "Darkness" - Special Exhibition of the 54th Venice Art Biennale (Venice, Italy), "Into the Eyes - New Chinese Paintings in the Post-Financial Crisis Era" (Poly Museum, French Taylor Foundation, Fukuoka Asian Art Museum, Japan, etc.), "Beautiful New World - The 2nd Nanjing International Art Exhibition", "Boundless - Contemporary Art from China" (Mantegna Art Gallery, Italy) and many other important exhibition projects at home and abroad. He has published many academic monographs such as "Evolution", "The Dimension of Transcendence" and "Fantasy".

又生空間Cycle Space，位于北京798 藝術(shù)區(qū)。“Cycle”，即周期 ，“又生”取自唐詩“野火燒不盡，春風(fēng)吹又生”，更迭輪轉(zhuǎn)，生生不息。

整合一二級市場資源，為全球客戶提供藝術(shù)咨詢和配置服務(wù)，旨在構(gòu)建跨、逆周期之上可調(diào)節(jié)的收藏體系。其中“中國新繪畫”領(lǐng)域是我們的研究重點(diǎn)之一。