11月18日，當(dāng)代中國藝術(shù)和國家形象國際論壇在上海當(dāng)代藝術(shù)館開幕。會(huì)議嘉賓如下：
張曉剛(1958-)，著名藝術(shù)家，擅長(zhǎng)油畫與雕塑，因?yàn)椴粩嗵角笊囊饬x和歷史的底蘊(yùn)而被稱為“卡夫卡式的畫家”，以“血緣：大家庭”等系列屢次打破亞洲畫家最高拍賣紀(jì)錄。
Zhang Xiaogang (b. 1958), one of world’s top artists. His “Bloodline: The Big Family” series become the iconic images of the Chinese Cultural Revolution, and his constant probing of the meanings of life and of the nature of memories have made him a “Kafkaesque” artist.
方力鈞(1963-)，著名藝術(shù)家，擅長(zhǎng)油畫、版畫與雕塑，以亮艷的色彩、令人難忘的光頭的形象而成為“玩世現(xiàn)實(shí)主義”的領(lǐng)軍人物之一。
Fang Lijun (b. 1963), one of the world’s top artists, who burst onto the scene for his portrayal of a bald figure, numb in facial expression_r_rs, endlessly reproducible, and yet fully expressive of the desires and anxieties of a hedonist generation. His style has been known as “cynical realism.”
岳敏君(1962-)，著名藝術(shù)家，擅長(zhǎng)油畫與雕塑，創(chuàng)造出最令人難忘的咧嘴大笑的無窮復(fù)制的形象，和方力均同為玩世現(xiàn)實(shí)主義的領(lǐng)袖。
Yue Minjun (b. 1962), one of the world’s top artists, the creator of one of the most unforgettable images of contemporary China: the ubiquitous face that grins from ear to ear but nevertheless appears tense, even fearful, in a variety of settings. Also a “cynical realist.”
李斌(1949-), 文革后“傷痕”美術(shù)的先驅(qū)，全國美展一等獎(jiǎng)《楓》的三位作者之一。先后旅居日本和美國。近年重返上海，專注于對(duì)“紅色傳統(tǒng)”的反思性現(xiàn)實(shí)主義創(chuàng)作。
Li Bin (b. 1949), leading figure of the “scar literature/art” in the immediate aftermath of the Cultural Revolution. Co-creator of the famous work “The Maple Tree” in 1978. Recently returned to Shanghai after spending years in Japan and New York and has been focusing on realist reflection of the “red classics.”
海波(1962-)，著名藝術(shù)家，擅長(zhǎng)攝影，經(jīng)常以黑白的形象揭示出環(huán)境的轉(zhuǎn)變對(duì)人物的深層的影響。
Hai Bo (b. 1962), award-winning photography artist. Known for disclosing the conflicts between human presence and the surrounding settings.
崔岫聞 (1970-)，著名藝術(shù)家，擅長(zhǎng)攝影、觀念、影像和裝置藝術(shù)，專注于表述女性身體，揭示女性與環(huán)境和政治的關(guān)系問題。
Cui Xiuwen (b. 1970), one of China’s foremost avant-garde woman artists. Using various mediums such as photography, video, performance, and installation, she lays bare the female body of the post-Mao generations at multiple tension-filled sites.
李山(1942-)，著名藝術(shù)家，以抽象變形的油畫的方式探討物種的生物屬性等問題。
Li Shan (b. 1942), one of the veteran and most experimental artists of contemporary Chinese art. Traveling between New York and Shanghai, he increasingly turns his attention to the biological properties of species that includes the human being.
劉建華 (1962-)，著名藝術(shù)家，以公共雕塑最為著稱。最新作品之一為上海環(huán)球金融中心的“磁”。
Liu Jianhua (b. 1962), one of China’s most active sculptors. Based in Shanghai, he has created several public art works associated with Shanghai’s new landmarks, such as “The Magnet” in front of China’s tallest building, Shanghai World Financial Center.
周鐵海 (1966-)，著名藝術(shù)家，上海最有代表性的海派創(chuàng)新人物之一。他以“觀念藝術(shù)”的方式反諷中國當(dāng)代藝術(shù)背后的荒謬。
Zhou Tiehai (b. 1966), the finest artist Shanghai has to offer. Known for his conceptual art that simultaneously participates in commercial designs (for Louie Vuitton, etc.) and pokes fun at consumerism.
丁乙(1962-)，著名藝術(shù)家，畫作以立體感、裝飾感強(qiáng)烈而著稱，近來為愛瑪仕的絲巾設(shè)計(jì)而成為中國風(fēng)的代表人物之一。
Ding Yi (b. 1962), abstract painter turned one of the most visible fashion designers for world’s name brands including Johnny Walker and Hermes.
張恩利 (1965-)，著名藝術(shù)家，中國表現(xiàn)主義的代表人物。
Zhang Enli (b. 1965), China’s foremost expression_r_rist, revealing warmth of humanity in his drawings of everyday objects in their most plain and simple forms.
呂澎 (1956-), 著名藝術(shù)史家，中國美術(shù)學(xué)院藝術(shù)史教授，四川青城山美術(shù)館群策劃人，深具影響的《２０世紀(jì)中國藝術(shù)史》作者。
Lu Peng (b. 1956), art historian, Professor of Art History at China Fine Arts Institute. Author of The History of Chinese Art in the 20th Century.
朱朱(1969-)，著名詩人、藝術(shù)評(píng)論家、策展人。
Zhu Zhu (b, 1969), hailing from Yangzhou and based in Nanjing, he is one of China’s best poets, also an active art critic and curator.
聶榮慶，張曉剛工作室負(fù)責(zé)人
Nie Rongqing, artist, art collector.
亞瑟－掃威，上海 James Cohan 畫廊
Arthur Solway, Curator, James Cohan Gallery Shanghai
呂彤鄰，蒙特利爾大學(xué)教授
Lu Tonglin, Professor of Comparative Literature, University of Montreal
強(qiáng)納森－芬博格，伊利諾依大學(xué)藝術(shù)史講座教授，《１９４０年來藝術(shù)》作者
Jonathan Fineberg, Gutgsell Professor of Art History, University of Illinois
徐鋼, 伊利諾依大學(xué)教授
Gary Xu, Professor of Chinese Studies, University of Illinois
馬克－漢森，杜克大學(xué)教授
Mark Hansen, Professor of Art History, Duke University
劉康, 杜克大學(xué)教授，上海交大人文研究院院長(zhǎng)
Liu Kang, Professor of Chinese Studies, Duke University; Dean, Institute of Arts and Humanities, Shanghai Jiaotong University
馬莉安－芬博格，作家，藝術(shù)教育家
Marianne Fineberg, Writer, author of The Sixty Eight Rooms
山坶－史密斯，藝術(shù)教育家
Samuel L. Smith, Engagement Director, Krannert Center for the Performing Arts
【編輯：海英】
