鏡人是誕生在北京798藝術(shù)區(qū)的一面可以行走的鏡子，鏡人是一位穿者用鏡面作成的衣服字世界各地行走的藝術(shù)家。鏡人行走在都市的大街上，都市的景象成為鏡人身上流動的風(fēng)景，鏡人則是這個城市的一個精靈，一個城市環(huán)境中的變色龍。
鏡人是現(xiàn)代都市的產(chǎn)物，玻璃，鋼鐵，鏡面，幾何體不僅構(gòu)成了當(dāng)代都市的基本面貌，也是鏡人的基本材料與外觀。鏡人不僅是一個人的符號，也有人的性格,他準(zhǔn)確地反映了這個世界，也更精確地介紹了這個無常世界的變化。鏡人是人的化身，是人的符號，是抽象的人和具體的人的結(jié)合體，鏡人超越了階級，階層，文化，地域，種族，國度，職業(yè)等人為的各種界限，體現(xiàn)著自由的意志和平等的心態(tài)。鏡人是一個活生生的人，一個有生命，有感情，有意志，有人格的人。他因?yàn)榄h(huán)境的存在而存在，他因?yàn)樗说墓獠屎瞳@得自己的閃光。鏡人是一個純粹的人，透明的人，一個平面的但被肉體支撐的人。
鏡人也是人的衣服，是藝術(shù)家發(fā)明的用來遮擋身體與面孔的衣服。和其他的衣服不同的是，這個不銹鋼的外衣只只是遮擋人的正面，但裸露出人的兩個側(cè)面和背面。穿衣人的面孔變得不容易識別/這樣鏡人可能是任何人，可以是任何成年人，可以是你也可以是我，也不妨是他或她,有你的影子，有人類的共性。
鏡人是一面鏡子，不同于一般的鏡子的地方是鏡人時刻都是在行走中的，他有僵硬的五官和難以遮掩的表情。鏡人是個矛盾體，反映了生存的經(jīng)驗(yàn)和生活的感受。鏡人在行走的時候，他是社會中的一員，當(dāng)他在跳動的時候，他仿佛是天外來客。因?yàn)槿藗儗λ恼J(rèn)識反而模糊起來，他所反映的世界也變得騷動不安。
鏡人走在紐約的大街上，路人異常興奮，MY GOD！MIRRORMAN！這是他們最直覺的反應(yīng)。在北京的大街上，鏡人一起保安們的警覺，他們懷疑地看著鏡人，不知所措！在他們眼力，不安定因素太多，任何不同一般的人和事情，他們最先的反映是擔(dān)心出什么事情。
鏡人將繼續(xù)行走，在行走的過程中發(fā)現(xiàn)更多的精彩，并與世界發(fā)生碰撞與交流，留下精彩的瞬間。
Who is the MIRRORMAN?
The MIRRORMAN is a walking mirror born in Beijing’s 798 Art District. It is an artist, attired in a mirror-effect outfit, rambling through the streets in a city. As the artist walks in the street, the urban scenes become changeable scenery on his mirror-encased body. The MIRRORMAN is a fairy of reflections wandering through a city, a chameleon in its urban jungle.
The MIRRORMAN is a product of modern cities – composed of the same glass, steel, mirrored surfaces and geometrical shapes that make up the appearance of a modern city. It is not only a logo for Man. It is also endowed with a human personality. In a precise manner, it captures the constant of change, while faithfully reflecting the world around it. The MIRRORMAN is an embodiment and a symbol of Man – an amalgam of the abstract and the deconcrete Man. The MIRRORMAN is beyond classes, hierarchy, culture, geolocality, ethnic groups, nations, vocations, and all kinds of man-made categories. It embodies free will and equality. The MIRRORMAN is a living being with emotions, sensibility and personality. It exists as a result of its environment. It sparkles as a result of the sparks of the others around it. The MIRRORMAN is a pure, transparent man, a flat body propped up by a human body.
The MIRRORMAN is also an outfit devised by artists to shield a human body and a human face. Unlike most clothes, the steel garment only hides the front of the wearer and leaves his/her sides and back exposed. The person in the outfit becomes hard to identify, therefore could be anyone, any adult. It could be you. It could be me. Or it could well be he or she. It could be anyone’s shadow, and anyone’s shared humanity.
The MIRRORMAN is also a mirror. Unlike most mirrors, it is always walking. It has rigid facial features and indisguisable expression_r_rs. It is an entity of conflicts, a reflection of life and experience. When the MIRRORMAN is walking, it feels like a legitimate member of the society. But when it is hopping, it becomes more like an extraterrestrial being, because its image turns shifty and the world it reflects turns restless and skittish.
When the MIRRORMAN was walking in the streets of downtown New York, people got very excited. They instinctively called out, ‘My God! It’s the MIRRORMAN!’ However when he was pacing leisurely in Beijing’s streets, the city’s security guards got all alarmed and anxious. They stared at the MIRRORMAN suspiciously, not knowing how to react! To them, the world was a sure source of uncertain factors. At the sight of anything unusual, their immediate reaction was an incipient dread of what might went wrong.
The MIRRORMAN will surely carry on walking. While it is walking, the city will present it with more exciting incidents and developments. While it is walking, it will continue to interact with the world, capturing every fabulous fleeting moment.
【編輯：霍春?！?/span>
