在上周開展的2009年上海藝術(shù)博覽會國際當代藝術(shù)展上，威諾里薩當代藝術(shù)中心首次亮相就已經(jīng)在一片藝術(shù)作品的海洋里成功掀起波瀾。
此次展覽有120多個參展方，多數(shù)來自亞洲，不過也零星點綴著一些歐洲畫廊。威諾里薩以其展出的雕塑作品和繪畫作品的多樣性而格外突出。其中，著名的現(xiàn)實主義藝術(shù)家李貴軍和“形而上學畫派”藝術(shù)家何紅蓓在最初的VIP展中異常受歡迎。不過，還是范曉妍的令人入迷的作品“輕而易舉”首先贏得了一位非常懂行的收藏家的青睞。盡管這件作品尺寸巨大，這位收藏家仍然毫不猶豫地“抱得美人歸”。
除了藝術(shù)熱衷者和買家，以及興致高昂的公眾之外，熙熙攘攘的展覽中心還迎來了大批對展出興趣濃厚的媒體。對于威諾里薩的首次參展，國內(nèi)外記者和攝影師都給予了特別的關(guān)注。
Success, Shanghai Style
MoCCA's debut at the bustling and prestigious ShContemporary 2009 last week was a study in how to make waves in the giant sea of contemporary art.
Standing out against a backdrop of more than 120 exhibitors---primarily from Asia but speckled with a few European gallerists as well---the MoCCA booth was easily recognized by the name and variety of its sculptures and paintings on display. Among these, works by famed realist Li Guijun and painting metaphysician He Hongbei received exceptional embrace during the early VIP showing. Nonetheless, it was the hypnotic oeuvre of Fan Xiaoyan, Effortless, that first caught the heart of one particularly knowledgeable collector, who showed no hesitation in committing to take the sculpture home despite its massive dimensions.
Besides enthusiasts, art buyers and an inspired general public, the jam-packed Exhibition Center also saw a huge turnout of interested media, with reporters and photographers both domestic and foreign making a special effort to cover MoCCA's debut presence.
【編輯：張瑜】
