鄧箭今 《再見和不眠夜NO.10 》
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著名藝術(shù)家鄧箭今即將于2009年2 月14 日至 2 月 22日，在北京今日美術(shù)館1號館舉辦主題為“情•禁”的大型個展，屆時將舉辦隆重的學(xué)術(shù)研討會等系列活動。擔(dān)任此次個展的策展人為著名藝術(shù)批評家高嶺先生。
鄧箭今早在上世紀(jì)90年代之初就將自己藝術(shù)的視點(diǎn)鎖定在表現(xiàn)當(dāng)代人心理的情緒和感覺上。他的人物形象從一開始，就具有強(qiáng)烈的表現(xiàn)主義風(fēng)格的情緒和視覺張力，與當(dāng)時在中國畫壇盛行的學(xué)院式新古典主義寫實畫風(fēng)拉開了距離。在他看來，單純?nèi)ケ憩F(xiàn)城市的冷漠和隔絕，遠(yuǎn)不如去表現(xiàn)這種城市中生活的人的肉體，因為正是在這樣的肉體之中，蘊(yùn)涵著一個城市或者說一個社會無形的壓力和誘惑。
從藝術(shù)家男性主體的身體到莫名的女性他者的身體，從外在社會物質(zhì)主義壓力之下的理性自問，到壓力背后身體感覺和生理體驗的表達(dá)，鄧箭今一步一步地將社會問題個人經(jīng)驗化，并且將這種經(jīng)驗與私密的個人心理體驗緊密結(jié)合在一起。
拒絕簡單、直接的社會學(xué)層面上的反映論式再現(xiàn)，深入表象背后去捕捉和揭示商品社會人的精神異化，并且將這種異化推進(jìn)到情感、性愛、欲望和幻想的最深處，以令人信服和悸動的視覺形式賦予它們以獨(dú)立和莊嚴(yán)的價值，鄧箭今走出了一條倍受爭議和關(guān)注、充滿艱辛但卻更加具有深刻價值的藝術(shù)之路。
News release
“ Lust•Suppress——Deng Jianjin’s Art Exhibition” Upcoming
The well-known artist DengJianjin’s large-Scale solo exhibition “Lust•Suppress” will be held in the No.1 Hall Today Art museum Beijing from 14th Feb to 22 Feb, 2009.During that period, it will hold a grand series of academic activities. To be honored, the famous art critic Gao Ling will be as the curator of this exhibition.
As early as the beginning of the 1990s, Deng Jianjin has made his art perspective to lock in the performance of contemporary person’s mental and emotional feeling. From the beginning, his characters have the strong expressionistic style and visual tension and apart from the college-style neo-classical realism which was prevalent in art of China. In his view, to show the city’s isolation and indifference simply is far less to represent the performance of the flesh living in this city because in such the physical contains the invisible pressure and temptation of a city or a community.
From the male body of the artist to the nameless woman’s, from the rational ask oneself under the external pressure of the social materialism to the body and physical expression, Deng Jianjin make the social problem to the personal experience step by step and this experience and private psychological closely together
Refused the simple, direct and sociology representations reflects, to capture and reveal the goods and people’s spirit alienation and advance such feeling, sex, desire and fantasy to the deepest, in the convincing and moving visual form to give them independence and solemn value, Deng Jianjin break a new art path with much attention, controversy and be full of hardships, but more deeply value art on the road.
相關(guān)評論文章：
呂品田《中國當(dāng)代美術(shù)現(xiàn)象批評文叢》1999年摘錄
摘自---杭 間《中國當(dāng)代美術(shù)現(xiàn)象批評文叢》1999年
摘自---黃?！?ldquo;那是為了你好”---藝術(shù)對物質(zhì)主義時代的反應(yīng)》
摘自---李小山《陣中叫陣----當(dāng)代藝術(shù)家肖像三》
摘自——莫妮卡•德瑪黛《數(shù)字間的繪畫——“3號線”藝術(shù)編組》
馮博一：亂花漸欲迷人眼——關(guān)于鄧箭今的油畫藝術(shù)
【編輯：姚丹】
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