傳承藝術(shù)中心成立于1990年，一直以來堅(jiān)持走專業(yè)經(jīng)紀(jì)路線，致力于推廣中國中青輩之現(xiàn)代水墨創(chuàng)作為一貫的經(jīng)營理念與方向，在眾多的畫廊里獨(dú)樹一格。〝新浙派〞名稱乃是畫廊成立時(shí)，結(jié)合一群由浙江美院(現(xiàn)更名為中國美院)畢業(yè)的師生所組成的創(chuàng)作團(tuán)體，他們尋求在浙派老輩畫家的穩(wěn)固根基上，追求藝術(shù)本質(zhì)上更深層的創(chuàng)作探索，擘畫出屬于這時(shí)代的水墨畫新境界。
他們的展覽足跡遍及新、馬、港、臺、日、韓、德、美、加、希臘與意大利等國，也參加了歷屆的【臺北國際藝術(shù)博覽會(huì)】、【香港亞洲藝術(shù)博覽會(huì)】、【韓國漢城國際藝術(shù)博覽會(huì)】和【新加坡國際藝術(shù)博覽會(huì)】。代表畫家有︰韓黎坤、卓鶴君、陳向迅、顧迎慶、朱紅、鄭力、張銓等。同時(shí)，傳承也精心且大量的專收李鐵夫和胡善余兩位藝術(shù)家的作品。這是我們一手推廣年輕現(xiàn)代藝術(shù)，一手守住老輩藝術(shù)資產(chǎn)的雙管策略目標(biāo)。希望為現(xiàn)代水墨培植人才，也為逐漸凋零的老輩藝術(shù)盡一份微薄的心力。
An Introduction to Chuan Cheng Art Center
Since its establishment in 1990, the Chuan Cheng Art Center (CCAC) has been devoted itself to the professional broker of Chinese paintings with a main purpose of promoting the modern ink and color paintings for the Chinese young watercolorists. As we all know, this Center is one of the most outstanding galleries in the area. The “Young Zhejiang Painters” is a title which refers to a group composed of the graduates from Zhejiang Academy of Fines Arts (now, renamed as China Academy of Fines Arts). The representatives of them have done their best to upgrade the contemporarily ink and color paintings, based on the good foundation setup by the senior painters in old generation.
Their exhibitions have been made in the following countries and areas: Singapore, Malaysia, Hong Kong, Taiwan, Japan, Korea, Germany, the U.S., Canada, Greece, Italy, etc. And also, they have joined in the “Taipei Art Fair International,” the “Hong Kong Asian Art Fair,” the “Seoul Art Fair International,” the “ Singapore Art Fair International.” The said representatives of the painters are as follows: Han Li-kun, Cho Ho-chuan, Chen Xiangxun, Gu Ying-qing, Chu Hung, Cheng Li, Chang Chuan, etc. Meanwhile, this Center has been collecting in a great amount the works of the following two senior artists: Li Tiefu and Hu Shun Yu. This means that it is the two-channel policy taken by the CCAC for the sake of promoting the young and new arts on the one hand, in the other, for maintaining the senior and old ones. It is in a hope for us to cultivate the talents of modern ink and color paintings, and extend some efforts to the senior artists at the same time.