楊樹(shù)峰

1982年畢業(yè)于西北師范學(xué)院美術(shù)系油畫(huà)專業(yè)；
1982——1984年在?？咕芊峙?，在社會(huì)上流浪兩年零三個(gè)月；
1984年重新分配到蘭州市園林局下屬的金城盆景園；
1985年與單位簽訂停薪留職合同，成為真正的自由人；
1985——1989年創(chuàng)作了大量的、當(dāng)時(shí)稱為現(xiàn)代藝術(shù)的作品，名為“85黑色游戲”系列，其中包括繪畫(huà)、陶藝、木雕等；
1985年舉辦蘭州858現(xiàn)代藝術(shù)展，并于同年籌建東方藝術(shù)沙龍；
1986年開(kāi)始燒制陶藝品，同年成立蘭州特種藝術(shù)研究所；
1987年舉辦楊樹(shù)峰333件現(xiàn)代陶藝展；
1987年應(yīng)邀參加甘肅中青年藝術(shù)家座談會(huì)，在會(huì)上批評(píng)美協(xié)主席對(duì)新生藝術(shù)的限制；
1988年在蘭州金城盆景園舉辦蘭州新藝術(shù)個(gè)人展；
1988年參加中國(guó)黃山現(xiàn)代藝術(shù)研討會(huì)；同一年，作品入選中國(guó)美術(shù)館舉辦的現(xiàn)代藝術(shù)大展，但被本人拒絕；
1979——1989年的十年間，創(chuàng)作了500余幅繪畫(huà)作品、1000余件陶藝品和50多件木雕作品；
1990年舉辦迎亞運(yùn)現(xiàn)代藝術(shù)大展；此后再?zèng)]有參加過(guò)國(guó)內(nèi)任何有關(guān)藝術(shù)的活動(dòng)和展覽，同時(shí)開(kāi)始反思85藝術(shù)并潛心進(jìn)行藝術(shù)創(chuàng)作；
1990——1992年臥病三年；
1993年到海南創(chuàng)業(yè)，同時(shí)進(jìn)行藝術(shù)創(chuàng)作并承接裝飾工程；1996年獨(dú)自去美國(guó)闖蕩人生，同時(shí)進(jìn)行藝術(shù)創(chuàng)作；
1989——2009年間創(chuàng)作了大量新作品，同時(shí)也撰寫(xiě)了大量有關(guān)藝術(shù)創(chuàng)作、反思85思潮及當(dāng)下社會(huì)和藝術(shù)問(wèn)題的文章，極具探討和研究?jī)r(jià)值，以后將陸續(xù)推出并與社會(huì)見(jiàn)面。

In 1982, he graduated from Fine Arts Department of Northwest Normal University, major in oil painting;
1982 – 1984, he disobeyed the allocation of the university and became the society ranger for two years and three months;
In 1984, he was re-assigned to Golden City Bonsai Garden, a subsidiary of Lanzhou Garden Bureau;
In 1985, he signed a Leave Without Pay Contract with his unit and became a truly free person;
1985 – 1989, he created a lot of so called modern art works of that time, named "85 Black Game" series, which include paintings, pottery, woodcarving, etc.;
In 1985, he held Lanzhou 858 Modern Art Exhibition, and prepared for the establishment of Oriental Art Salon;
In 1986, he began to produce ceramics and found Lanzhou Special Institute of Arts;  
In 1987, he held Yang Shufeng Modern Ceramics Exhibition, exhibiting 333 ceramics;
In 1987, he was invited to participate in a forum of Gansu young artists, at which he criticized the constraints of Chairman of Art Association to new arts;  
In 1988, he held Lanzhou New Art Solo Exhibition in Lanzhou Gold City Bonsai Garden; 
In 1988, he participated in China Huangshan Modern Art Seminar;
At the same year, his works were selected to be exhibited in the contemporary art exhibition held by Art Museum of China, but he refused;
1979 - 1989, he created more than 500 pieces of paintings, more than 1,000 pieces of ceramics and more than 50 pieces of wood works;
In 1990, he held a modern art exhibition for celebrating the coming of Asian Games; from then on, he did not attend any domestic art events and exhibitions ever and began to reflect 85 Arts and devote himself to artistic creation; 
1990 – 1992, he was confined to bed for illness for three years;
In 1993, he came to Hainan to start his business, devoted to artistic creation and began to undertake decorative project;
In 1996, he began his lone turbulent life in the United States, and did not stop devoting to his artistic creation;
1989 – 2009, he created a large number of new works and wrote a large number of articles of great explore and study value on art creation, reflection of 85 thought and the current social and artistic issues, which will be rolled out to the society later.